Title
|
Artist
|
Medium & Support
|
Creation Date
|
"Cool," Newbern, Alabama, 1990
|
Christenberry, William
|
Chromogenic print on paper
|
negative 1990; printed 1992
|
Abandoned House, Pickinsville [sic], Alabama
|
Christenberry, William
|
Chromogenic print on paper
|
negative 1967; printed 1999
|
Abraham Casting Out Hagar and Ishmael
|
Rembrandt van Rijn
|
Etching on laid paper
|
1637
|
Abraham Entertaining the Angels
|
Rembrandt van Rijn
|
Etching and drypoint on heavy cream laid paper
|
1656
|
Beggars Receiving Alms at the Door of a House
|
Rembrandt van Rijn
|
Etching and drypoint with engraving on cream laid paper
|
1648
|
Cat and Bird in Our Backyard
|
Zorach, Marguerite Thompson
|
Hand-colored lithograph on paper
|
1929
|
Christ's Entry into Jerusalem
|
Dürer, Albrecht
|
Woodcut on paper
|
about 1509–1510
|
Coleman's Cafe (Detail), Greensboro, Alabama
|
Christenberry, William
|
Chromogenic print on paper
|
negative 1977; printed 2003
|
Colonial Sugar Sack Quilt
|
Wells, Yvonne
|
Cotton, cotton/polyester blend, and plastic buttons
|
2005
|
Door of Red and Green House, outside Greensboro, Alabama
|
Christenberry, William
|
Chromogenic print on paper
|
negative 1979; printed 2003
|
Doorway
|
Cloar, Carroll
|
Acrylic on Masonite
|
1982
|
Fish-Shop, Venice
|
Whistler, James Abbott McNeill
|
Etching on laid paper
|
1879–1880
|
Garden
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Girl on Runway—Winter Garden, New York
|
Shinn, Everett
|
Pastel on paper
|
about 1920–1925
|
Holidays in the Country, The Cider Party
|
Durrie, George Henry
|
Oil on canvas
|
1853
|
La Vieille aux Loques
|
Whistler, James Abbott McNeill
|
Etching on laid paper
|
1858
|
Leaving the Shop
|
Miller, Kenneth Hayes
|
Etching on paper
|
1929
|
Ollie Johnson and Family, Anniston, Alabama
|
Hine, Lewis Wickes
|
Gelatin silver print on paper
|
1914
|
Pickin' Time
|
Spangler, Frank M., Sr.
|
Ink, Chinese white, and graphite on fiberboard
|
1930
|
Ralph Vaughn Williams
|
Karsh, Yousuf
|
Gelatin silver print on paper
|
1946
|
Red Coats Across the Street
|
Metcalf, Elizabeth
|
Watercolor on cream laid paper
|
1966
|
So Long
|
Goldthwaite, Anne
|
Etching on paper
|
about 1934
|
So Long
|
Goldthwaite, Anne
|
Etching on paper
|
about 1934
|
The Balcony
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
The Blindness of Tobit: The Larger Plate
|
Rembrandt van Rijn
|
Etching and drypoint on laid paper
|
1651
|