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Highlights: Weil Gifts

Showing 1 to 25 of 82 Records

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Title Artist Medium & Support Creation Date
I have heard thee with the hearing of the Ear, but now my Eye seeth thee   Blake, William   Engraving on paper  1825 
There were not found Women fair as the Daughters of Job   Blake, William   Engraving on paper  1825 
The Hiding of Moses   Blake, William   Etching on paper  1824 
The Elephant (Headpiece)   Blake, William   Engraving on paper  1802 
The Elephant (Frontispiece)   Blake, William   Engraving on paper  1802 
A View of Chichester (Tailpiece)   Blake, William   Engraving on paper  1802 
Behold now Behemoth which I made with thee   Blake, William   Engraving on paper  1825 
Sandy Road through Woodland, near Norwich   Crome, John   Etching on paper  1813 
Other Laws for the People (Otras leyes por el pueblo)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816–1823 
A Circus Queen (Una reïna del circo)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816–1823 
What a Warrior! (Que guerrero!)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816–1823 
Rain of Bulls (Lluvia de toros)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816–1823 
The Little Prisoner; The Custody is as Barbarous as the Crime (Le prisonnier; Tan barbara la seguridad comom el delito)   Goya y Lucientes, Francisco Jose de   Etching on paper  about 1810–1820; published 1867 
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816 
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816 
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)   Goya y Lucientes, Francisco Jose de   Etching and aquatint on paper  1816 
Inverary Pier, Loch Fyne. Morning   Turner, Joseph Mallord William   Etching and mezzotint on paper  1811 
Soupe à Trois Sous   Whistler, James Abbott McNeill   Drypoint on laid paper  1859 
Greenwich Park   Whistler, James Abbott McNeill   Etching on laid paper  1859 
Old Hungerford Bridge   Whistler, James Abbott McNeill   Etching on Japanese paper  1861 
Soupe à Trois Sous   Whistler, James Abbott McNeill   Drypoint on Japanese paper  1859 
Greenwich Park   Whistler, James Abbott McNeill   Etching on laid paper  1859 
Waterloo Bridge   Whistler, James Abbott McNeill   Lithograph on laid paper  1896 
The Smith, Passage du Dragon   Whistler, James Abbott McNeill   Lithograph on wove paper  1894 
Vitré: The Canal   Whistler, James Abbott McNeill   Lithograph on laid paper  1893 

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