Title
|
Artist
|
Medium & Support
|
Creation Date
|
Rain of Bulls (Lluvia de toros)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Beggars
|
Whistler, James Abbott McNeill
|
Etching and drypoint on Japanese paper
|
1879–1880
|
Billingsgate
|
Whistler, James Abbott McNeill
|
Etching and drypoint on Japanese paper
|
1859
|
St. James's Street
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1878
|
The Doorway
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Nocturne: Palaces
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Amsterdam, from the Tolhuis
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1863
|
Nocturne
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
San Biagio
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Two Doorways
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Garden
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
The Little Mast
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
Long Venice
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
The Traghetto, No. 2
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
The Balcony
|
Whistler, James Abbott McNeill
|
Etching and drypoint on laid paper
|
1879–1880
|
La Pompe Notre-Dame
|
Meryon, Charles
|
Etching and drypoint on paper
|
1852
|
Bookplate of Frederic Harriman Sanford
|
Goldthwaite, Anne
|
Etching and engraving on paper
|
about 1895
|
Inverary Pier, Loch Fyne. Morning
|
Turner, Joseph Mallord William
|
Etching and mezzotint on paper
|
1811
|
Bridge in the Pass of Glencoe--Scotland
|
Moran, Thomas
|
Etching and roulette on paper
|
1882
|
Old Hungerford Bridge
|
Whistler, James Abbott McNeill
|
Etching on Japanese paper
|
1861
|
T. A. Nash's Fruit-Shop
|
Whistler, James Abbott McNeill
|
Etching on Japanese paper
|
about 1886
|
Early Morning, Battersea
|
Whistler, James Abbott McNeill
|
Etching on Japanese paper
|
1861
|