Title
|
Artist
|
Medium & Support
|
Creation Date
|
The Entombment of Christ
|
Mantegna, Andrea
|
Engraving on paper
|
about 1470
|
Bacchanal with Silenus
|
Mantegna, Andrea
|
Engraving on paper
|
about 1475-1480
|
Madonna with the Monkey
|
Dürer, Albrecht
|
Engraving on paper
|
about 1498
|
The Alliance of Venus, with Bacchus and Ceres
|
Matham, Jacob
|
Engraving on paper
|
about 1588
|
The Three Graces
|
Matham, Jacob
|
Engraving on paper
|
about 1588
|
The Three Fates
|
Goltzius, Hendrick
|
Engraving on paper
|
about 1587
|
Behold now Behemoth which I made with thee
|
Blake, William
|
Engraving on paper
|
1825
|
The Sudarium Held by Two Angels
|
Dürer, Albrecht
|
Engraving on paper
|
1513
|
Other Laws for the People (Otras leyes por el pueblo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
A Circus Queen (Una reïna del circo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
What a Warrior! (Que guerrero!)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
Rain of Bulls (Lluvia de toros)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
Nobody Knows Himself (Nadie se conoce)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1799
|
Sleep Overcomes Them (Las rinde el sueño)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1799
|
Presentation in the Temple with the Angel: Small Plate
|
Rembrandt van Rijn
|
Etching and drypoint on cream laid paper
|
1630
|
The Holy Family
|
Rembrandt van Rijn
|
Etching and drypoint on cream laid paper
|
about 1632
|
Abraham and Isaac
|
Rembrandt van Rijn
|
Etching and drypoint on cream laid paper
|
1645
|
Canal with a Large Boat and a Bridge (Het Schuytje Op De Voorgrondt)
|
Rembrandt van Rijn
|
Etching and drypoint on cream laid paper
|
1650
|
Abraham Entertaining the Angels
|
Rembrandt van Rijn
|
Etching and drypoint on heavy cream laid paper
|
1656
|
Cornelis Claesz. Anslo, Preacher
|
Rembrandt van Rijn
|
Etching and drypoint on heavy laid paper
|
1641
|
Jacob Haaringh (Young Haaringh)
|
Rembrandt van Rijn
|
Etching and drypoint on heavy laid paper
|
1655
|
The Beggars
|
Whistler, James Abbott McNeill
|
Etching and drypoint on Japanese paper
|
1879–1880
|