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Showing 1 to 25 of 30 Records

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Title Artist Medium & Support Creation Date
The Ill-Assorted Couple   Dürer, Albrecht   Engraving on paper  1495 
The Agony in the Garden   Dürer, Albrecht   Woodcut on heavy laid paper  1496–1497 
The Angel with the Key to the Bottomless Pit   Dürer, Albrecht   Woodcut on heavy laid paper  1496–1498 
Hercules at the Crossroads (Jealousy)   Dürer, Albrecht   Engraving on laid paper  1498 
The Martyrdom of John the Baptist   Dürer, Albrecht   Woodcut on laid paper  1510 
St. Anthony Reading   Dürer, Albrecht   Engraving on laid paper  1519 
A Nobleman and a Lady Seated in a Landscape   Lucas van Leyden   Engraving on paper  1520 
The Poet Virgil Suspended in a Basket   Lucas van Leyden   Engraving on paper  1525 
Capitano Cerimonia and Signora Lavinia   Callot, Jacques   Etching and engraving on paper  1622 
Le grand rocher   Callot, Jacques   Etching on paper  1623 
Destruction of a Convent   Callot, Jacques   Etching on paper  1633 
Plundering and Burning a Village   Callot, Jacques   Etching on paper  1633 
The Strappado   Callot, Jacques   Etching on paper  1633 
The Hospital   Callot, Jacques   Etching on paper  1633 
Christ before Pilate: The Large Plate   Rembrandt van Rijn   Etching and engraving on laid paper  1635–1636 
The Omval   Rembrandt van Rijn   Etching and drypoint with sulphur tint on cream laid paper  1645 
Street at Saverne   Whistler, James Abbott McNeill   Etching on Japanese paper  1858 
The Little Mast   Whistler, James Abbott McNeill   Etching and drypoint on laid paper  1879–1880 
Vitré: The Canal   Whistler, James Abbott McNeill   Lithograph on laid paper  1893 
Pahlhude   Grohs, Hans   Woodcut on paper  1917 
Troutdale   Lankes, J. J.   Woodcut on paper  1930 
Mountain Town   Lankes, J. J.   Woodcut on paper  1931 
Saturday Night   Nungester, Mildred   Lithograph on paper  1943 
The Baptism of Christ in the Jordan   Lucas van Leyden   Engraving on paper  about 1510 
Landscape with Sportsman and Dog (Het Jagertje)   Rembrandt van Rijn   Etching and drypoint, touched with grey wash on cream laid paper  about 1645–1648 

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