Title
|
Artist
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Medium & Support
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Creation Date
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A Circus Queen (Una reïna del circo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
What a Warrior! (Que guerrero!)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
Rain of Bulls (Lluvia de toros)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
The Little Prisoner; The Custody is as Barbarous as the Crime (Le prisonnier; Tan barbara la seguridad comom el delito)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
about 1810–1820; published 1867
|
A Dwarf (Un enano)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
Moenippus (Moenippus)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
Aesop (Aesopus)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
Bacchus or The Bacchantes (Baco or Los Borrachos)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
about 1778
|
Nobody Knows Himself (Nadie se conoce)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1799
|
Sleep Overcomes Them (Las rinde el sueño)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1799
|
A Harlot's Progress, Plate 1
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot's Progress, Plate 2
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot's Progress, Plate 3
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot's Progress, Plate 4
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot's Progress, Plate 5
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot's Progress, Plate 6
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
Christ before Caiphas, after Albrecht Dürer
|
Hopfer, Lambert
|
Etching on paper
|
|
St. Jerome in Penitence
|
Lievens, Jan
|
Etching on paper
|
about 1631
|
La fuite en Egypte
|
Lorrain, Claude
|
Etching on paper
|
about 1630–1633
|
La fuite en Egypte
|
Lorrain, Claude
|
Etching on paper
|
1631
|
Le soleil levant
|
Lorrain, Claude
|
Etching on paper
|
1634
|
Le bouvier
|
Lorrain, Claude
|
Etching on paper
|
1636
|