Title
|
Artist
|
Medium & Support
|
Creation Date
|
I have heard thee with the hearing of the Ear, but now my Eye seeth thee
|
Blake, William
|
Engraving on paper
|
1825
|
There were not found Women fair as the Daughters of Job
|
Blake, William
|
Engraving on paper
|
1825
|
The Pier with a Lamp
|
Piranesi, Giovanni Battista
|
Etching on paper
|
about 1760
|
The Gothic Arch
|
Piranesi, Giovanni Battista
|
Etching on paper
|
about 1760
|
Hercules Killing the Dragon Who Guards the Garden of Hesperides...
|
Aldegrever, Heinrich
|
Engraving on paper
|
1550
|
Joseph Thrown in Well by His Brothers
|
Pencz, Georg
|
Engraving on paper
|
1546
|
Landscape with Ruined Monuments
|
Canaletto
|
Etching on paper
|
about 1735–1743; published about 1744–1746
|
Imaginary View of Venice: The House with the Inscription and The House with the Peristyle
|
Canaletto
|
Etching on paper
|
1741; published about 1744–1746
|
Christ, Man of Sorrows, Mocked by a Soldier
|
Dürer, Albrecht
|
Woodcut on heavy laid paper
|
1511
|
The Flagellation
|
Dürer, Albrecht
|
Woodcut on heavy laid paper
|
1496–1497
|
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
Justus Sutermans
|
Dyck, Anthony van
|
Etching on heavy wove paper
|
about 1632–1635
|
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
Jael and Sisera
|
Altdorfer, Albrecht
|
Woodcut on paper
|
about 1513
|
Knight with Bread and Wine
|
Altdorfer, Albrecht
|
Engraving on paper
|
|
St. Lawrence
|
Schongauer, Martin
|
Engraving on paper
|
about 1485–1490
|
Christ before Pilate: The Large Plate
|
Rembrandt van Rijn
|
Etching and engraving on laid paper
|
1635–1636
|
Aesop (Aesopus)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
Moenippus (Moenippus)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
A Dwarf (Un enano)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
1778
|
The Little Prisoner; The Custody is as Barbarous as the Crime (Le prisonnier; Tan barbara la seguridad comom el delito)
|
Goya y Lucientes, Francisco Jose de
|
Etching on paper
|
about 1810–1820; published 1867
|
The Wagon Passing over a Bridge
|
Canaletto
|
Etching on paper
|
about 1735–1743; published about 1744–1746
|
The Little Monument
|
Canaletto
|
Etching on paper
|
about 1735–1743; published about 1744–1746
|
The Tower of Malghera (La Torre di Malghera)
|
Canaletto
|
Etching on paper
|
about 1735–1743; published about 1744–1746
|