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                                 Jimmy Ernst (aka Hans-Ulrich Ernst)
American, born Germany, 1920–1984
                        
                    
                    
                    
                    
                    
                    
                   
                    
                        
                    
                    
                        
                    
                        
   								
In 1961 Ernst went to the Soviet Union as a visiting specialist in the U.S. State Department’s cultural exchange program. While there, he saw the grave of the author and poet Boris Pasternak, who had died the year before. This experience prompted Ernst to paint several memorials to Pasternak, including "Voices of Silence". Like Ernst, Pasternak had grown up in the cultured and literary environment of a Jewish family. His 1956 novel Doctor Zhivago was banned in the U.S.S.R. because of its realistic treatment of life during the revolutionary era. When he was nominated for a Nobel Prize, Pasternak was ejected from the writer’s union and deprived of official recognition. Although never expelled, he was denied his livelihood and condemned by the Soviet state. Doctor Zhivago was not released in Russia until 1987, twenty-seven years after the author’s death. Ernst’s composition implies a vacant space, shattered and fractured, much as the society of the Soviet Union was by political persecution in the 1960s. Voices such as Pasternak’s were routinely silenced by a system intolerant of dissidence.
                    
                
            American, born Germany, 1920–1984
Voices of Silence
1962–1963
                            Object Type:
                            Painting
                        
                    
                    
                    
                        
                            Creation Place:
                            North America, American, New York
                        
                    
                    
                       
                            Dimensions:
                       
                        46 1/2 in. x 76 1/4 in. (118.11 cm x 193.68 cm)
                            Medium and Support:
                            Oil on canvas
                        
                    
					
                    
                        
                            Accession Number:
                            1989.0002.0012
                        
                    
					
                            Credit Line:
                            Montgomery Museum of Fine Arts, Montgomery, Alabama, The Blount Collection
                        
                    
					
					
          			
      				
      				
            		Currently On View
 
            		
          			         
          			  
					
                    
                        
                            Copyright:
                            © The Estate of Jimmy Ernst / Artists Rights Society (ARS), New York
                        
                    
                    
                        In 1961 Ernst went to the Soviet Union as a visiting specialist in the U.S. State Department’s cultural exchange program. While there, he saw the grave of the author and poet Boris Pasternak, who had died the year before. This experience prompted Ernst to paint several memorials to Pasternak, including "Voices of Silence". Like Ernst, Pasternak had grown up in the cultured and literary environment of a Jewish family. His 1956 novel Doctor Zhivago was banned in the U.S.S.R. because of its realistic treatment of life during the revolutionary era. When he was nominated for a Nobel Prize, Pasternak was ejected from the writer’s union and deprived of official recognition. Although never expelled, he was denied his livelihood and condemned by the Soviet state. Doctor Zhivago was not released in Russia until 1987, twenty-seven years after the author’s death. Ernst’s composition implies a vacant space, shattered and fractured, much as the society of the Soviet Union was by political persecution in the 1960s. Voices such as Pasternak’s were routinely silenced by a system intolerant of dissidence.
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