by Artist (109)
James Abbott McNeill Whistler
American, 1834–1903
A Series of Sixteen Etchings of Scenes on the Thames (The Thames Set)
Thoroughly entrenched in the avant-garde realist aesthetic of Gustave Courbet (French, 1919–1877), Whistler relocated from Paris to London in spring 1859. He soon discovered appropriate subjects along the docks of the Thames River. The artist sought to capture the quotidian activity of stevedores, sailors, and merchants among the ships, wharfs, and warehouses. In the foreground of "Rotherhithe," he depicted two men smoking pipes on the balcony of an inn overlooking the river. The degree of detail in their faces and figures is unusual in Whistler’s print oeuvre, but the influence of Japanese prints on the tall, asymmetrical composition is typical of his work. Whistler included this image among "A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" published in 1871.
See "Fleeting Impressions: Prints by James McNeill Whistler," exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), 37.
American, 1834–1903
Rotherhithe
1860A Series of Sixteen Etchings of Scenes on the Thames (The Thames Set)
Object Type:
Print
Creation Place:
North America, American
Dimensions:
10 3/4 in. x 7 3/4 in. (27.31 cm x 19.69 cm)
Medium and Support:
Etching on laid paper
Accession Number:
1984.0017.0009
Credit Line:
Gift of Mr. and Mrs. Adolph Weil, Jr., in memory of Mr. and Mrs. Adolph Weil, Sr.
Thoroughly entrenched in the avant-garde realist aesthetic of Gustave Courbet (French, 1919–1877), Whistler relocated from Paris to London in spring 1859. He soon discovered appropriate subjects along the docks of the Thames River. The artist sought to capture the quotidian activity of stevedores, sailors, and merchants among the ships, wharfs, and warehouses. In the foreground of "Rotherhithe," he depicted two men smoking pipes on the balcony of an inn overlooking the river. The degree of detail in their faces and figures is unusual in Whistler’s print oeuvre, but the influence of Japanese prints on the tall, asymmetrical composition is typical of his work. Whistler included this image among "A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" published in 1871.
See "Fleeting Impressions: Prints by James McNeill Whistler," exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), 37.
Keywords
Click a term to view the records with the same keyword
Related Objects
Click a record to view
Limehouse
1978.0014
Thames Warehouses
1984.0017.0001
Old Westminster Bridge
1984.0017.0002
Limehouse
1984.0017.0003
Eagle Wharf
1984.0017.0004
Black Lion Wharf
1984.0017.0005
The Pool
1984.0017.0006
Thames Police (Wapping Wharf)
1984.0017.0007
The Lime-Burner
1984.0017.0008
The Forge
1984.0017.0010
Millbank
1984.0017.0011
Chelsea Bridge and Church
1984.0017.0012
Old Hungerford Bridge
1985.0002
The Little Pool
1985.0009
Early Morning, Battersea
1985.0013
Becquet
1986.0003
Portfolio List
Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:
Your current search criteria is: All Object records and [Object]Century is "Nineteenth century".