Title
|
Artist
|
Medium & Support
|
Creation Date
|
The Lucky Escape
|
Currier, Nathaniel
|
Color lithograph on paper
|
|
The Elephant (Headpiece)
|
Blake, William
|
Engraving on paper
|
1802
|
The Elephant (Frontispiece)
|
Blake, William
|
Engraving on paper
|
1802
|
A View of Chichester (Tailpiece)
|
Blake, William
|
Engraving on paper
|
1802
|
Inverary Pier, Loch Fyne. Morning
|
Turner, Joseph Mallord William
|
Etching and mezzotint on paper
|
1811
|
Sandy Road through Woodland, near Norwich
|
Crome, John
|
Etching on paper
|
1813
|
The Spirited Moor Gazul is the First to Spear Bulls According to the Rules (El animoso moro Gazul es el primero que lanceó toros en regla)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country (Modo con que los antiguos españoles cazaban los toros á caballo en el campo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
The Cid Campeador Spearing Another Bull (El Cid Campeador lanceando otro toro)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816
|
Other Laws for the People (Otras leyes por el pueblo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
A Circus Queen (Una reïna del circo)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
What a Warrior! (Que guerrero!)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
Rain of Bulls (Lluvia de toros)
|
Goya y Lucientes, Francisco Jose de
|
Etching and aquatint on paper
|
1816–1823
|
The Hiding of Moses
|
Blake, William
|
Etching on paper
|
1824
|
Heaven—The Rivers of Bliss
|
Martin, John
|
Mezzotint on paper
|
1824–1825
|
Bridge Over Chaos
|
Martin, John
|
Mezzotint on paper
|
1824–1826
|
I have heard thee with the hearing of the Ear, but now my Eye seeth thee
|
Blake, William
|
Engraving on paper
|
1825
|
There were not found Women fair as the Daughters of Job
|
Blake, William
|
Engraving on paper
|
1825
|
Behold now Behemoth which I made with thee
|
Blake, William
|
Engraving on paper
|
1825
|
Black-bellied Darter
|
Audubon, John James
|
Engraving with etching, aquatint, and hand coloring on paper
|
1836
|
I Married You to Brighten My Life and the Best about It Is That I Don't Have to Carry Anything at All (Je t'ai épousée pour charmer mon existence et il n'y a rien qui me fait plaisir, comme de ne rien porter du tout)
|
Daumier, Honore
|
Lithograph on paper
|
1839
|
Autumn (L'Automme)
|
Daubigny, Charles-Francois
|
Etching on paper
|
1848
|
A Lioness Mauling the Chest of an Arab (Lionne déchirant la poitrine d'un arabe)
|
Delacroix, Eugène
|
Soft-ground etching on paper
|
1849
|
Dumas
|
Daumier, Honore
|
Lithograph on paper
|
1850
|
House with a Turret, rue de la Tixéranderie, Paris (Tourelle de la rue de la Tixéranderie)
|
Meryon, Charles
|
Etching on paper
|
1852
|