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American, about 1886/1887–1988
                        
                    
                    
                    
                   
                    
                        
                    
                    
                        
                    
                        		
Hunter was born in the Cane River district of Louisiana, and worked for most of her life as a farm hand. Largely without a formal education, she spent her later years working at Melrose Plantation and she began to paint using materials left behind by a visiting artist. Her subjects are typically scenes of rural and agricultural life during the early twentieth century, and they form a record of the daily life and activities of that era. "The Donkey Cart" is an example of her work in this genre, showing a simply composed scene of a field worker transporting cotton in a small, mule-drawn wagon.
                    
                
            American, about 1886/1887–1988
The Donkey Cart
                            Object Type:
                            Painting
                        
                    
                    
                    
                    
                       
                            Dimensions:
                       
                        11 1/2 in. x 15 in. (29.21 cm x 38.1 cm)
                            Medium and Support:
                            Acrylic on academy board
                        
                    
					
                    
                        
                            Accession Number:
                            1985.0001
                        
                    
					
                            Credit Line:
                            Gift of Starke Dillard
                        
                    
					
					  
					
                    
                    
                        Hunter was born in the Cane River district of Louisiana, and worked for most of her life as a farm hand. Largely without a formal education, she spent her later years working at Melrose Plantation and she began to paint using materials left behind by a visiting artist. Her subjects are typically scenes of rural and agricultural life during the early twentieth century, and they form a record of the daily life and activities of that era. "The Donkey Cart" is an example of her work in this genre, showing a simply composed scene of a field worker transporting cotton in a small, mule-drawn wagon.
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