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American, born 1964
                        
                    
                    
                    
From the Alabama Print Portfolio
                    
                    
                   
                    
                        
                    
                    
                        
                    
                        		
With his camera, Alabama artist John DeMotte captures abstractions of alleys and buildings. These photographs become sources for his prints, translated into inked abstractions that retain little of the character of their original subjects. In Untitled, the result is an eerie work that recalls aerial maps of rivers and their tributaries. The chine collé method allowed DeMotte to adhere tissue thin pieces of paper to the larger, heavier printed piece, and the layers of ink on the two types of paper create a mottled effect that adds tonal depth to the image.
                    
                
            American, born 1964
Untitled
1986From the Alabama Print Portfolio
                            Object Type:
                            Print
                        
                    
                    
                    
                    
                       
                            Dimensions:
                       
                        5 7/8 in. x 7 1/4 in. (14.92 cm x 18.42 cm)
                            Medium and Support:
                            Chine collé on paper
                        
                    
					
                    
                        
                            Accession Number:
                            1986.0007.0005
                        
                    
					
                            Credit Line:
                            Gift of the University of Montevallo
                        
                    
					
					  
					
                    
                    
                        With his camera, Alabama artist John DeMotte captures abstractions of alleys and buildings. These photographs become sources for his prints, translated into inked abstractions that retain little of the character of their original subjects. In Untitled, the result is an eerie work that recalls aerial maps of rivers and their tributaries. The chine collé method allowed DeMotte to adhere tissue thin pieces of paper to the larger, heavier printed piece, and the layers of ink on the two types of paper create a mottled effect that adds tonal depth to the image.
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