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American, 1940–2021
                        
                    
                    
                    
                    
                    
                    
                   
                    
                        
                    
                    
                        
                    
                        		
Moving away from his signature large-scale Photo-Realist paintings of friends and family of the 1970s, Chuck Close began making looser images in the 1980s. Still using photographs as a point of reference, Close began employing colorful marks that he calls "donuts and lozenges" into a grid pattern. Up close these marks are abstract, but as the viewer moves further away, they coalesce into a clear image.
 
Close has explored many printmaking processes and, to transform his painting of his first wife, Leslie, the artist turned to the traditional Japanese "ukiyo-e" technique of woodblock printing. This process closely mimics his approach to painting by using numerous colors built up in layers to complete the overall image. Here Close utilized 51 blocks of linden wood, carved and printed with 10 different hues that overlap and mix on the paper to create the wide variety of colors.
                    
                
            American, 1940–2021
Leslie
1986
                            Object Type:
                            Print
                        
                    
                    
                    
                        
                            Creation Place:
                            North America, American
                        
                    
                    
                       
                            Dimensions:
                       
                        24 3/4 in. x 21 7/16 in. (62.87 cm x 54.45 cm)
                            Medium and Support:
                            Color woodcut on paper
                        
                    
					
                    
                        
                            Accession Number:
                            1998.0009.0002
                        
                    
					
                            Credit Line:
                            Montgomery Museum of Fine Arts Association Purchase
                        
                    
					
					  
					
                    
                    
                        Moving away from his signature large-scale Photo-Realist paintings of friends and family of the 1970s, Chuck Close began making looser images in the 1980s. Still using photographs as a point of reference, Close began employing colorful marks that he calls "donuts and lozenges" into a grid pattern. Up close these marks are abstract, but as the viewer moves further away, they coalesce into a clear image.
Close has explored many printmaking processes and, to transform his painting of his first wife, Leslie, the artist turned to the traditional Japanese "ukiyo-e" technique of woodblock printing. This process closely mimics his approach to painting by using numerous colors built up in layers to complete the overall image. Here Close utilized 51 blocks of linden wood, carved and printed with 10 different hues that overlap and mix on the paper to create the wide variety of colors.
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