by Artist (144)
James Abbott McNeill Whistler
American, 1834–1903
From the series, Twelve Etchings (First Venice Set) 1881
This is one of Whistler’s most elegant Venetian etchings, successfully combining the artist’s affection for detail and his innate sense of design to achieve a harmoniously balanced composition. The subject is the Renaissance Pallazzo Gussoni on the upper reaches of Rio della Fava, a canal in the district of San Marco. Whistler depicted the doorway of the palazzo from a low vantage point about ten yards from the portal. The width of the canal at this point is about twelve yards. Although windows and an underpass open to the canal near this spot, the artist undoubtedly rendered this view from a boat, probably a gondola. On this impression of the print, Whistler left a rich layer of ink in the foreground to suggest the turbid water in the canal. He also left a thin veil of ink on parts of the façade, yielding less contrast to the dark shadows of the doorway than in other impressions of this print. Whistler included his trademark butterfly etched on the wall above the window on the left, cleverly depicting it as if carved into the marble façade.
See "Fleeting Impressions: Prints by James McNeill Whistler," exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), 55.
American, 1834–1903
The Doorway
1879–1880From the series, Twelve Etchings (First Venice Set) 1881
Object Type:
Print
Creation Place:
North America, American
Dimensions:
11 1/2 in. x 7 15/16 in. (29.21 cm x 20.16 cm)
Medium and Support:
Etching and drypoint on laid paper
Accession Number:
1999.0007.0137
Credit Line:
Gift of Jean K. Weil in memory of Adolph "Bucks" Weil, Jr.
This is one of Whistler’s most elegant Venetian etchings, successfully combining the artist’s affection for detail and his innate sense of design to achieve a harmoniously balanced composition. The subject is the Renaissance Pallazzo Gussoni on the upper reaches of Rio della Fava, a canal in the district of San Marco. Whistler depicted the doorway of the palazzo from a low vantage point about ten yards from the portal. The width of the canal at this point is about twelve yards. Although windows and an underpass open to the canal near this spot, the artist undoubtedly rendered this view from a boat, probably a gondola. On this impression of the print, Whistler left a rich layer of ink in the foreground to suggest the turbid water in the canal. He also left a thin veil of ink on parts of the façade, yielding less contrast to the dark shadows of the doorway than in other impressions of this print. Whistler included his trademark butterfly etched on the wall above the window on the left, cleverly depicting it as if carved into the marble façade.
See "Fleeting Impressions: Prints by James McNeill Whistler," exh. cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), 55.
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