Plant
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                                 Mose Tolliver (aka MoseT)
American, (active about 1920–2006)
                        
                    
                    
                    
                    
                    
                    
                   
                    
                        
                    
                    
                        
                    
                        		
Tolliver was well-known for his floral imagery and especially trees, with or without perchng birds. As with this work, the artist typically filled the entire space available to him on the support, which was usually a piece of plywood board, masonite, or other rigid surface. Although it was not always his practice to outline the borders of his work, he did so often, saying that he did it to create the impression of a frame, which he saw as an indication of "real" (ie. trained) artists' presentations.
                    
                
            American, (active about 1920–2006)
Plant
about 1978–1980
                            Object Type:
                            Painting
                        
                    
                    
                    
                        
                            Creation Place:
                            North America, American, Alabama
                        
                    
                    
                       
                            Dimensions:
                       
                        18 1/8 in. x 21 1/8 in. x 3/8 in. (46.04 cm x 53.66 cm x 0.95 cm)
                            Medium and Support:
                            Acrylic on plywood
                        
                    
					
                    
                        
                            Accession Number:
                            1990.0004.0008
                        
                    
					
                            Credit Line:
                            Anonymous gift
                        
                    
					
					  
					
                    
                    
                        Tolliver was well-known for his floral imagery and especially trees, with or without perchng birds. As with this work, the artist typically filled the entire space available to him on the support, which was usually a piece of plywood board, masonite, or other rigid surface. Although it was not always his practice to outline the borders of his work, he did so often, saying that he did it to create the impression of a frame, which he saw as an indication of "real" (ie. trained) artists' presentations.
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